Aegina
Aegina,
in the centre of the Argosaronic, immediately conquers the visitor, as soon
as the boat passes the lighthouse, the town and port of Aegina appear. A
walk around the town will lead to many historical buildings dating from
19th c. Among them is the house of Capodistrias, the first Governor of Greece
after the War of Independence in 1821. It has remained standing to remind
us that Aegina was for two years the temporary capital city of Greece, before
it was officially installed in Nafplion. A stroll near the port will bring
you to the archaeological site of Kolonas. Here the ancient city was built,
when Aegina, with its powerful fleet, ruled the seas, long before Athens
began to make its presence felt.
The Archaeological
site of Colona.
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This is a very important
Archaeological site, not simply because of the ruins of the
famous temple of Apollo and other buildings but because it contains
the remains of ten successive prehistoric settlements
dating from late Neolithic period (5th millennium BC) until
the Mycenaean period (1600 - 1100 BC). All the findings are
gathered on a hill to the north of the port, at the peak of
which stands a single column (kolona), from which the
hill took its name. The column , which is part of the temple
of Apollo, is the only one which has remained upright of the
eleven which stood on each of the long sides and the six of
the short sides.
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The temple was built
in the late 6th C. BC and has dominated the region due to its
size and its beauty which was equal, it is said, to that
of the Temple of Aphaia. The foundations of some other structures
belonging to the temple have also survived, such as the altar
to the east, the Temple of Artemis to the southeast ..etc. There
also the remains of many walls from different eras, such as
the Bronze Age fortress walls, the archaic acropolis walls the
Roman sanctuary walls and the so-called port walls which run
down towards the port.
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The
Museum of Kolona
is located in front of the site in a new square one storey building
with a large atrium in the centre. The atrium contains sculptures
from the cemetery of Reneia, from the time that Capodistrias
brought to Aegina. The halls of the museums contain some fine
exhibits dating from the late Neolithic period until the Roman
period. The archaic and early classical periods are also represented
by the famous marble sphinx of Aegina (460 BC) as well as sculptures
from the pediment of the Temple of Apollo. At the entrance to
the museum are the impressive models of a house from the prehistoric
city on the hill of Kolonas. The models make quite clear that
the so-called '' white house'' had two floors and dates to around
2200 BC.
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The Sanctuary
of Aphaia on Aegina
The sanctuary
of Aphaia on Aegina lies above the headland of Ayia Marina on a hill offering
a panoramic view over the sea. Worship on the site of the sanctuary goes
back to the prehistoric times, around 1300 BC, when it was associated with
a female fertility deity, as is clear from finds brought to light
by archaeological excavation. It was originally thought that the temple
of Aphaia was built in honour of Athena, whose figure dominated the two
pediments. During excavations by German archaeologists in 1901, however,
an inscription was found referring to the name of the local goddess Apha
(Aphaia), making it clear that the temple was dedicated to Aphaia and not
to Athena. According to myth, Aphaia, who is identified with Britomartis
daughter of Zeus and Karme, was loved by Minos and, to escape his attentions
she jumped into the sea and emerged in Aegina, where she became "invisible"
(Aphaia) in a grove. She hid in a cave, probably the one on the north-east
cornel of the Archaic enclosure, in which have been found many terracotta
figurines and other objects dating from the Mycenaean period. In historical
times, three temples were built at different periods on the same site near
the area associated with the prehistoric cult. Of the first temple, which
is dated to the early 6th century BC, only traces of the foundations survive.
The second temple was larger and had an altar in front of the east side.
The surviving temple is the third, which was built about 500 BC. It is a
Doric peripheral temple with 6 columns on the ends and 12 on the sides.
There are two columns in antis in the plodomos and opisthodomos. and the
roof is supported by two two-storey Doric colonnades inside the cella, each
consisting of five columns. The columns, the walls of the cella, the architrave,
and the other parts of the entablature are made of local limestone covered
with plaster. The pedimental sculptures and akroteria, however, are made
entirely of Parian marble and painted.
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A ramp of large, well-dressed
stones on the east side of the temple leads up to the crepis
This built ramp continues to the east as far as the altar, the
foundations of which are preserved. |
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The pediments of the temple
of Aphaia. which are dated to 490-480 BC, were adorned with scenes from
battles fought at Troy and watched by Athena. whose figure was the predominant
one at the centre of both pediments. The east pediment depicted the campaign
of Heracles against king Laomedon, and the west the Greek expedition under
Agamemnon against Priam's Troy.
Part of the east pediment
was destroyed during the Persian wars, possibly by a thunderbolt. The statues
that survived were set up in the sanctuary enclosure, and those that were
destroyed were buried, according to ancient custom. The old composition
was replaced by a new one with a scene of a battle, again with Athena at
the centre.
The pedimental sculptures
were found during the 1811 excavation by Baron van Hallerstein and the architect
C.R. Cockerell, puy up for auction in Italy, and purchased In 1813 by Ludwig
I, king of Bavaria and father of Otto, the first king of Greece, they were
taken to the Glyptotek in Munich, where they have been on display ever since.
Parts of the destroyed east pediment were found during Furtwangler's excavation
and are now displayed in the National Archaeological Museum in Athens. Around
the sanctuary was an enclosure wall, at the southeast of which was erected
a large propylon. Building remains (baths, a priests' house, etc.) have
been discovered to the east of the propylon.
Temple of
Zeus Hellanios
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tallest mountain on Aegina, you will discover the sanctuary
of Zeus Hellanios founded, according to the myth, by Aiakos,
son of Zeus and grandfather of the heroes of the Trojan War
Achilles and Ajax. This is another route of great interest,
centering on an archaeological site that is directly connected
with the mythology and history of Aegina. the village of Pacheia
Rachi, which looks out over the sea and the plain soon
appears. The belfry and the blue dome of the church stand out.
Just beyond the village are the new facilities of Center for
the Care of Wild Animals and Birds, which is being relocated
here from the former prisons of Aegina. Every year the centre
takes carte of many wounded (mainly by hunters) and sick animals
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Beyond
the Centre, a dirt road to the right leads to the archaeological
site with the sanctuary of Zeus Hellanios. From a distance one
can see the grand stone staircase next to a Hellenistic wall.
The wall was most probably built in order to fill it in so as
to create a large flat square area upon which the sanctuary
of Zeus Hellanios was built. |
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Today
on the upper part of the staircase, to the left, is the Byzantine
church of the Taxiarches, the Archangels, which used to be the
cathedral church of a monastery. Tradition has it that no rain
fell on Aegina for many years and the island suffered greatly.
Aiakos, the mythical King of Aegina and son of Zeus, was advised
by the oracle at Delphi, to plead with his father to bring rainfall.
His plea was heard and in order to thank Zeus, Aiakos built
the temple in the god's honour and established his cult here.
Above the temple stands the mountain with the ancient name of
Oros and which is directly associated with the cult of Zeus
on the island. It has the shape of a cone and is covered in
rocks and stones. The view of the island and the whole of the
Argosaronic from the peak of Mt Oros, today known as Profitis
Ilias, is splendid. |
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